Water Film
Water Film Inhaltsverzeichnis
Im kolonialen Indien wird die achtjährige Chuyia Witwe und muss in ein Heim, in dem hinduistische Witwen ihr Leben in Buße fristen müssen. Die lebhafte Ausstrahlung des kleinen Mädchens bringt das Leben der Bewohnerinnen gehörig. Water ist ein kanadisches Filmdrama von Deepa Mehta aus dem Jahr Der Film spielt im Jahr und beschreibt das Leben von Witwen in einem. Wasser – Der Film ist eine britische Filmkomödie aus dem Jahr Regie führte Dick Film. Deutscher Titel, Wasser – Der Film. Originaltitel, Water. Produktionsland, Großbritannien. Originalsprache, Englisch. Erscheinungsjahr, Komplette Handlung und Informationen zu Water. Die Geschichte spielt im kolonialen Indien vor dem Hintergrund Mahatma Gandhis Aufstieg zur Macht. Die. Water - Der Fluss des Lebens. Water. Indien, Kanada, FilmDramaRomanze. In den 30er Jahren müssen die wegen des Todes ihrer Ehemänner. water paint Wasserfestigkeit f (physCh) resistance to water, water resistance Wasserfilm m (Ström) water film Wasserfilter n (Opt) water filter Wasserfilter n. On the Waterfront war ein politischer Film auch in anderer, weniger offensichtlicher störte niemanden: Der Erfolg von On the Water front rehabilitierte Kazan.
Water Film - Statistiken
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How did you buy your ticket? View All Photos Movie Info. The year is , and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia Sarala , newly widowed, must go to live with other outcast widows on an ashram.
Her presence transforms the ashram as she befriends two of her compatriots Seema Biswas, Lisa Ray. Deepa Mehta. David Hamilton.
Jun 23, Seema Biswas Shakuntala. Lisa Ray Kalyani. John Abraham Narayana. Sarala Kariyawasam Chuyia. Manorama Madhumati.
Kulbhushan Kharbanda Sadananda. Vinay Pathak Rabindra. Ronica Sajnani Kunti. Meera Biswas Gyanvati. Waheeda Rehman Bhagavati. Deepa Mehta Director.
David Hamilton Producer. Mark Burton Executive Producer. Ajay Virmani Executive Producer. Doug Mankoff Executive Producer.
Deepa Mehta Writer. Our Predictions Inside! May 18, Rating: B. September 26, Rating: 4. June 21, Full Review…. August 22, Full Review…. View All Critic Reviews May 02, There's few movies that can ride on purely beautiful cinematography in order to tell a story, but this certainly does.
The message of this movie is so well told through its images that it quite possibly could have been utterly silent and still effective. Now the basic story and characters are okay, but they wouldn't be half as effective if they weren't given such a great backdrop.
The issue is important, but not something an American audience would necessarily need a feature length to understand. For a two hour movie that essentially deals with one sole issue, it can be a bit lengthy and unevenly paced, but I would never go as far as to say that it was bad or boring.
It also has quite possibly one of the most oddly humorous moments ever brought onscreen concerning a fart joke and a child stomping on a fat woman's back.
Conner R Super Reviewer. Sep 05, The setting is beautiful. The story is amazing and very moving. The acting superb.
This movie was nominated for a Academy Award. I dont understand why this movie wouldnt have won hands down. Truly, truly wonderful.
Cynthia S Super Reviewer. She is taken to a rundown ashram housing an impoverished group of widows doomed to live out the rest of her life as outcasts.
Chuyia forms an immediate bond with Kalyani Lisa Ray whose physical beauty has become the sole means of support for the community through the vehicle of prostitution.
Through a chance encounter Kalyani captures the attention of Narayan John Abraham , a wealthy, idealistic follower of Gandhi. Soon a proposal of marriage follows and now for the first time Kalyani envisions the possibility of a new, happy life.
However traditional beliefs and social pressures work against the young couple at every turn. As Kalyani battles with the superstitions and taboos that seek to deny her one last chance for love those same social evils begin to close in on young Chuyia threatening to enslave her into the same lifestyle Kalyani has endured.
What would Gandhi do? Everything was done to perfection in this film; cinematography, soundtrack, storytelling and wonderful acting with a number of truly memorable performances.
Deepa Metha has once again shown how to meld filmmaking with important, contemporary issues without devaluing the cinematic art or the social message.
Beautiful artful presentation revealing the transparency of ashrams holding widows, widowed children captive by an ancient custom still being practiced to this day, even though the law have changed.
This is total abuse, I pray this stops. Very sorrowful. Great movie done in excellent taste. Beautiful actor and actresses, music so beautifully exquisitely done.
Positively one of the most beautifully filmed movies ever. I found myself asking "What did I just see??! The story is an eye-opener, too, into a culture that we Americans would like to believe does not really exist in our day and time.
Besides, I just like all things Indian! One person found this helpful. I love the movie, thats why I purchased it. But I cannot enjoy it because there are two sets of Enlish subtitles superimposed upon each other, making them unreadable.
Impossible to watch. Headache inducing. See all reviews. Top reviews from other countries. This is an incredibly sensitive and perceptive film about widows in India.
The movie highlights the centuries-old plight of widows in India. While the practice of burning them with their husband's body has disappeared, widows continue to endure emargination and discrimination.
Acting is great and the realism of the film adds to the urgency of the problem it highlights. While things are by all accounts improving as India becomes more educated and secular, the issue remains a tragic reminder of the abuses of tradition.
This is one of three films by Mehta on politics in India. For me this is a masterpiece of a movie. The concerning story left me totally moved and in tears.
Despite the sad story the movie is visually captured in a fairytale. A strong contrast between beauty of India and society and harsh reality of customs and rites.
The movie tells the heartbreaking reality of the widows in India and their outcast status in society. It especially highlights the situation of a child widow who's life is finished by these harsh rites before it even began.
And the struggle between indoctrinated believes and justice and democracy. The movie has subtitles. A must-see movie and highly recommendable.
Report abuse. An Amazing film with great acting. Beautiful scenery. There are fourteen women who live in the dilapidated house, sent there to expiate bad karma , as well as to relieve their families of the financial and emotional burdens of caring for widows.
The ashram is ruled by Madhumati Manorama , a pompous lady in her 70s. Her only friend is the pimp, Gulabi Raghuvir Yadav , a hijra who keeps Madhumati supplied with cannabis.
The two also have a side business: Gulabi helps Madhumati prostitute Kalyani Lisa Ray , a beautiful young widow, by ferrying her across the Ganges to customers.
Kalyani was forced into prostitution as a teenager to support the ashram. Shakuntala Seema Biswas is perhaps the most enigmatic of the women.
Attractive, witty and sharp, she is also one of the few widows who can read. She exudes enough anger that even Madhumati leaves her alone.
Shakuntala is caught between being a God-fearing, devout Hindu, and her hatred of being a widow. She seeks the counsel of Sadananda Kulbhushan Kharbanda , a priest, who makes her aware of her unjust and unholy situation.
She becomes attached to Chuyia upon her arrival at the ashram. Chuyia is convinced that her stay is a temporary one and that her mother will come to take her away but quickly adapts to her new life.
She befriends Kalyani, and witnesses Kalyani's budding romance with Narayan John Abraham , a charming upper-class follower of Mahatma Gandhi.
Despite her initial reluctance, Kalyani eventually buys into his dream of marriage and a new life in Calcutta. She agrees to go away with him.
Her plan is disrupted when Chuyia accidentally reveals their affair to Madhumati. Enraged at losing a source of income and afraid of the social disgrace, Madhumati locks Kalyani up.
Much to everyone's surprise, the God-fearing Shakuntala lets Kalyani out to go meet Narayan, who ferries her across the river to take her to his home.
However, when Kalyani recognizes Narayan's bungalow, she realizes that Narayan is the son of one of the men whom she has been pimped out to.
In shock, she demands that he take her back. Narayan confronts his father, learning the reason for Kalyani's actions. Disgusted, he decides to walk out on his father and join Mahatma Gandhi Mohan Jhangiani.
He arrives at the ashram to take Kalyani with him, only to find that Kalyani has fatally drowned herself. Madhumati sends Chuyia away to be prostituted as a replacement for Kalyani.
Shakuntala finds out and tries to prevent the worst, but she is too late. When Shakuntala finds Chuyia, Chuyia is deeply traumatized and catatonic.
Cradling Chuyia, Shakuntala spends the night on the shores of the river. Walking through town with Chuyia in her arms, she hears talk of Gandhi speaking at the train station, ready to leave town.
She follows the crowd to receive his blessing. As the train departs, in an act of desperation Shakuntala runs alongside the train, asking people to take Chuyia with them.
She spots Narayan on the train and hands Chuyia over to him. The train departs, carrying Chuyia away while leaving the teary-eyed Shakuntala behind.
The film debuted on 8 September at the Toronto International Film Festival and opened in other theatres at the dates given below. After several controversies surrounding the film in India, the Indian censor boards cleared the film with a "U" certificate.
It was released in India on 9 March During Sri Lanka screening, the film collected Rs. For all her impassioned commitment as a filmmaker, Mehta never preaches but instead tells a story of intertwining strands in a wholly compelling manner.
The film seethes with anger over their plight yet never judges, and possesses a lyrical, poetical quality. Just like the Ganges, life goes on flowing, no matter what.
Mehta sees her people in the round, entrapped and blinded by a cruel and outmoded custom dictated by ancient religious texts but sustained more often by a family's desire to relieve itself of the economic burden of supporting widows.
As a result, she is able to inject considerable humour in her stunningly perceptive and beautifully structured narrative.
Water received mostly positive reviews. Roger Ebert of Chicago Sun-Times said "The film is lovely in the way Satyajit Ray 's films are lovely and the best elements of Water involve the young girl and the experiences seen through her eyes.
I would have been content if the entire film had been her story" and gave it three stars out of four. Her earlier film, Fire , however, had previously attracted hostility from conservative right-wing organizations, which objected to her subject matter and portrayal of conservative households in a negative light.
Protestors organised protests and attacks on cinemas that screened that film.

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